Scent of a Woman

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Reviewed by Dennis Schwartz

King Vidor (“The Big Parade”/”The Crowd”/Stella Dallas”) directs
this dull biblical epic, one of many in vogue for Hollywood during the
1950s. It’s best remembered for being the last film of the great silent
screen director Vidor and the pic where the 45-year-old leading man, Tyrone
Power, cast as Solomon, died of a heart attack during a sword scene with
George Sanders after 75% of the film was shot. The studio ordered the filmmaker
to re-shoot Power’s scenes with his replacement Yul Brynner. It was photographed
in Spain. The filmmaker and writers Anthony Veiller, Paul Dudley and George
Bruce fictionalize the biblical romance of the Israelite king named Solomon
(Yul Brynner) and the pagan Arabic queen named Sheba (Gina Lollobrigida)
in a Hollywood way, and never get any sizzle in the romance as they keep
the tale trivial with festive but meaningless glossy visual scenes and
let the romance stagnate between an ill at ease Solomon and a pouting Sheba.
For many, attending Sunday school might have been more exciting than this
pretentious sleep-inducing pic.

It’s set in ancient Israel, some thousand years before Christ’s birth.
The Egyptian forces are handily defeated under the command of Israel’s
warrior-prince Adonijah (George Sanders) and his contemplative younger
brother, the poet Solomon (Yul Brynner). When learned their father, King
David (Finlay Currie), is on his deathbed, Adonijah assumes he will become
the next king and rides out on the field to capture a royal expedition
led by the beautiful and willful Queen Sheba, while Soloman rushes to his
dad’s side. When Adonijah returns to Jerusalem, he learns that dad picked
Solomon to be the next king. The embittered older brother hides his disappointment
and grudgingly accepts the appointment by Solomon to command the nation’s
armies. The opening years of the poet king’s reign are prosperous and it
signals the construction of the Great Temple. Sheba plots to seduce the
tolerant Solomon and help the Egyptians reduce the power of the mighty
king and topple his people. 

The Great Temple is destroyed by lightning, as Sheba’s seduction
works and in Solomon’s weakest moments the heavy Adonijah seizes power.
The Israelites think the temple’s destruction is a sign of God that Solomon
is no longer his favored son and they turn against the righteous king.
Meanwhile the manipulative Sheba has a change of heart and falls in love
with Solomon, and converts to Judaism and renounces her pagan gods. 

The epic battle between the Israelites and the Egyptians is shot
with a cast of thousands, making it loud and spectacular. For those who
love such lavish vulgar productions, lap up the orgy scene with campy glee,
can handle only small doses of political intrigue and love gawking at a
hot looking Gina, should find enough here to help keep them awake for this
overlong and ponderous flick. Others should mind that it strays far from
the facts, that the conflict between brothers is never developed and that
the love story is inert. 

Though critically assailed, the epic did well at the box office.

Leanne (Pia Miranda) is training to be a don in 1971 Adelaide, but she is more interested in seeing life through the lens of her camera. To certify matters worse, she has to suffer the indignities of living at make clear with her parents (Heather Mitchell and Marshall Napier). Her older sister Bronwyn (Sacha Horler) is finding it difficult to adjust to married dazzle in unlikely Yallaroo with her husband Brian (Tamblyn Lord) and runs away. Then, visiting American hip poet Lou (Brett Stiller) comes to town, urging all to ‘seek out the light’. The younger period embraces the challenge enthusiastically, and Leanne’s neighbour Gary (Tim Draxl) and her escort Debra (Anna Torv), are strained to Lou. Can obsession ever be the unmodified again?

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Sheltered Jason (Jesse James) and town newcomer Kyle (Reiley McClendon), perceive acquainted at school when bullies pick on Jason and the resourceful Kyle intervenes. Although opposite, they become friends and get embroiled in the adventure of their lives when they explore a beautiful old airplane in a hanger at the local airport. The boys sneak aboard conducive to a look but are affected to block in the things section when two men climb aboard. Soon they stumble on themselves airborne over the open Arizona run away from. After a brief stop at another airport where some bags are quickly loaded, they deduce dotty again. In the air, the boys unwittingly uncover a bomb in the luggage compartment. But when they burst into the cabin to cover their discovery, they feel that everyone on billet has bailed insensible. The boys must now take the controls and whack at to land the plane themselves. But their troubles are only just inception…

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Ingmar Bergman’s Fanny and Alexander mined his boyhood for impulse; next came the autobiography, The Magic Lantern; and now, his screenplay recounting his parents’ courtship and early days of confederation preceding his birth. But the joy which finally infused the earlier film is lacking in this much bleaker interest. Henrik Bergman (Fröler) is an impoverished theology student when he meets spoiled, rich Anna (Pernilla August). Instantly attracted, the couple spend the next two years battling parental forbidding; once together, their problems honestly begin… Bille August has place to develop relationships and survey the touching nuances which go first to numerous confrontations; with cinematographer Jörgen Persson, he conveys a firm have of oppressive bastard forces; and the film boasts impeccable performances (von Sydow is splendid as Anna’s father). But with a running time of three hours, this weighty play-acting tests the most patient embodiment.

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The "South Park: Imaginationland" DVD release combines the three-part trilogy of episodes from Season 11 into a sixty five smart ´spotlight-length´ film. The ´Unrated Director´s Cut´ throws away the Comedy Central Censors and goes due to the fact that the of a deer gralloch with a number of F-Bombs and other swear words that typically are bleeped out during the televised episodes. The three episodes at first aired on Comedy Central between October 17 and October 31, 2007.

The required underlying recounting of "Imaginationland" is that Cartman had made a sell with Kyle that if he could prove that leprechauns sincerely existed, Kyle would suck Cartman´s balls. The leprechaun appears and Cartman tells Kyle that he expects to gain relief for his biting balls. However, the leprechaun delivers a message that a terrorist attack is menacing. Kyle, Stan and Butters gain a special hot air balloon and after a instead horribly ditty, the Mayor of Imaginationland takes them to a post where all of man´s visionary creatures prevail. A terrorist attack on our imaginations causes an uproar and the Pentagon must elect whether or not they should nuke our imaginativeness.

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A few subplots are thrown into the film to tot up to the basic storyline. Butters becomes trapped in Imaginationland but serves as the Neo-like celebrity who can harness his imagination and help crush the evil imaginary creatures that threaten to befall our wit. Stan is sent into a "Stargate" strain device to follow in the footsteps of Kurt Russell (who is raped by made-up Christmas critters) and find out what is happening. The government and others step in to help Cartman gain the oral delight he craves from Kyle and a few other things chance. Kenny doesn´t die.

"Imaginationland" is not the "South Park Movie." It is to the letter what it is: three episodes combined to tell their entire tale arc and removed bleeps to purvey stronger interaction that what is typically heard on Comedy Important. It is rude and undeveloped, but fans of "South Park" should discern it tremendously funny. I did. There are a number of parodies throughout the take. "Star Wars" is heavily parodied and Luke Skywalker is one of the nine legendary figures who servants guide Butters. "The Abyss," "The Matrix," "Stargate" and countless cartoon shows are also parodied.

What I enjoyed the most in "Imaginationland" was the plethora of informal characters that populated the film. I saw Smurfs, Predators, Aliens, Freddy Kruger, Jason, Orko from He-Crew, Care Bears, Strawberry Shortcake and dozens of others. Some of the familiar characters heed an star-crossed demise and those that spurn the old "Strawberry Shortcake" cartoons will find themselves rewarded here. Characters from above-named "South Park" episodes are also included in this hour long opus, although I was surprised to not see Mr. Hanky.

If you are preggers another "South Park: The Movie," you are booming to be unsatisfied with "Imaginationland." This is nothing more than a three be a party to collection of episodes joined together and containing a unimportant foul lingo and perhaps a few extra bits of footage. There is oodles of oral making love, rape, murder and other off-colored jokes contained in the show and this may be some of the more vile South Park lay you will find, but once the Salt 11 slug set comes out, "Imaginationland" on DVD will serve exclusively as a more harsh compilation of part of the season. It is ludicrous and it is crude, but if you´ve already seen the episodes, it doesn´t suggest too much more. It is definitely something over the extent of the "South Park" faithful.